Agus Suwage, Self Portrait and Co #2, 2013, Oil, acrylic and bitumen on canvas, 150 x 200 cm | 59.06 x 78.74 in Agus Suwage, Self Portrait and Co #2, 2013, Oil, acrylic and bitumen on canvas, 150 x 200 cm | 59.06 x 78.74 in

Sip! Indonesian Art Today #2

at ARNDT Singapore

14 September - 13 October 2013

Opening 13 September 2013, 6-9 pm
List of works

The exhibition, "Sip! Indonesian Art Today" and the accompanying publication results from ARNDT’s recent focus on Southeast Asian art and the new Asian and Pacific art markets. Over the past four years, Matthias Arndt has worked in Indonesia and other parts of Southeast Asia. His research, the past shows of Southeast Asian artists and the opening of ARNDT Singapore, the Asian showroom and office of ARNDT, makes Matthias Arndt one of the leading experts for contemporary Indonesian and Southeast Asian Art in Germany and Europe.

The exhibition "Sip! Indonesian Art Today," curated by Enin Supriyanto, is the 10th show dedicated to Southeast Asian art ARNDT is hosting in Singapore, Australia, Great Britain and Berlin. The 150 page publication, "Sip! Indonesian Art Today" edited by Matthias Arndt and published at DISTANZ Verlag (ISBN 978-3-95476-007-7) is available in all bookstores.

A public talk on contemporary Indonesian art with Enin Supriyanto (curator) and a selected artist, is planned to take place at ARNDT Singapore on 14 September, 2013 (time TBA).

The exhibition presents a selection from our works which was shown in ARNDT Berlin from April to June 2013, from all artistic media including painting, sculpture, installation, photography and film, by 16 contemporary artists from Indonesia. They belong to a larger community of artists who are actively shaping Indonesia’s dynamic developing contemporary art scene. If we consider their age and career development, the artists here represent 3 generations of contemporary art practice dating back from the late 1970s: beginning first with FX Harsono, one of the proponents of the Indonesian New Art Movement (Gerakan Seni Rupa Baru) founded in 1975, followed by a group of artists who emerged at a time when Indonesia was undergoing major socio-political transformations in its strive towards democracy during the late 1990s (Agung Kurniawan, Agus Suwage, Mella Jaarsma), the post-Reformasi (Reformation) generation of artists (Christine Ay Tjoe, Entang Wiharso, Rudi Mantofani, Handiwirman Saputra, Eko Nugroho, Syagini Ratna Wulan and Arin Dwihartanto Sunaryo), and finally, a generation of artists who have been active in the past decade, sophisticated operators of their own careers in a more or less stable and democratic Indonesia (Wedhar Riyadi, J. Ariadithya Pramuhendra, Wiyoga Muhardanto, Indieguerillas and Tromarama).

The generational differences not only represent differing socio-political experiences in connection with the development of Indonesia’s society in the past three decades, but also illustrates the differing socio-political contexts of the artists’ observations and artistic approaches that have changed and altered over the years.

The word “Sip” in Bahasa Indonesia may be a simple and modest one, but it is full of meaning. While the origin of this word is unknown, it is a word that is used by nearly everyone every day. “Sip” is the briefest way to state that something – whether an art work, an event, an experience or anything – is good, of good quality, super or even outstanding. Like this word, and like the process of our ongoing global culture, we do not question the origin of an idea, but we consider how this idea can continue to grow and contribute to the interaction and civilization of the world. In a way, we can say that ‘Sip’ has neither an exotic cultural background, nor any stereotypical cultural baggage. Whatever the case, the meaning is clear: good, great, or outstanding.

Please click here to view the Online Catalogue.

Arin Dwihartanto Sunaryo | FX Harsono | Indieguerillas | Mella Jaarsma

Agung Kurniawan | Rudi Mantofani | Eko Nugroho

J. Ariadhitya Pramuhendra | Syagini Ratna Wulan | Wedhar Riyadi | Handiwirman Saputra

Agus Suwage | Tromarama | Entang Wiharso

Press review by Blouin Artinfo on "SIP! Indonesian Art Today".

Opening hours: Wed – Sat, 11am – 7pm / Sun, 11am – 6pm


For any further information or press images, please contact Mariko Owen (mariko@arndtberlin.com; +65- 6734-0775).

Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013  Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013  Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013  Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Installation View 'Sip! Indonesian Art Today' at ARNDT Singapore, 14 Sep - 13 Oct 2013 Entang Wiharso, Double Happiness - Memorial Landscape, 2013, Caste aluminum, resin, color pigment, thread, Panel 1: 93 x 250 cm | 36.61 x 98.43 in Panel 2: 61 x 245 cm | 24.02 x 96.46 in AP from an edition of 2 + 1 AP Entang Wiharso, Double Happiness - Memorial Landscape, 2013, Caste aluminum, resin, color pigment, thread, Panel 1: 93 x 250 cm | 36.61 x 98.43 in Panel 2: 61 x 245 cm | 24.02 x 96.46 in AP from an edition of 2 + 1 AP Eko Nugroho, Lend Me a Lie, 2013, machine embroidered rayon thread on fabric backing, 133 x 110 cm | 52.36 x 43.31 in Eko Nugroho, Lend Me a Lie, 2013, machine embroidered rayon thread on fabric backing, 133 x 110 cm | 52.36 x 43.31 in Indieguerillas, Never Mind the Planned Obsolescence, I Love You. , 2013, Acrylic on canvas, 300 x 190 cm | 118.11 x 74.8 in Indieguerillas, Never Mind the Planned Obsolescence, I Love You. , 2013, Acrylic on canvas, 300 x 190 cm | 118.11 x 74.8 in Arin Dwihartanto Sunaryo, Burst #2, 2013, Pigment resin, merapi volcanic ash mounted on wooden panel, 179 x 143 cm | 70.47 x 56.3 in Arin Dwihartanto Sunaryo, Burst #2, 2013, Pigment resin, merapi volcanic ash mounted on wooden panel, 179 x 143 cm | 70.47 x 56.3 in Eko Nugroho, Pride of Emptiness, 2013, machine embroidered rayon thread on fabric backing, 133 x 119 cm | 52.36 x 46.85 in, # NUGR0162 Eko Nugroho, Pride of Emptiness, 2013, machine embroidered rayon thread on fabric backing, 133 x 119 cm | 52.36 x 46.85 in, # NUGR0162 Eko Nugroho, The Sign Society, 2013, machine embroidered rayon thread on fabric backing, 133 x 108 cm | 52.36 x 42.52 in, # NUGR0161 Eko Nugroho, The Sign Society, 2013, machine embroidered rayon thread on fabric backing, 133 x 108 cm | 52.36 x 42.52 in, # NUGR0161 Eko Nugroho, Wall Witness, 2013, Machine embroidered rayon thread on fabric backing, 133 x 107 cm | 52.36 x 42.13 in, # NUGR0160 Eko Nugroho, Wall Witness, 2013, Machine embroidered rayon thread on fabric backing, 133 x 107 cm | 52.36 x 42.13 in, # NUGR0160